Ashly DigiMIX 18 Bedienungsanleitung
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DigiMIX 18
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Ashly Audio, Inc. | 847 Holt Road | Webster, NY 14580-9103 USA | US toll free: +1-800-828-6308 | tel: +1-585-872-0010 | fax: +1-585-872-0739 | | | Ashly is a division of Jam Industries, Ltd. sales@ashly.com www.ashly.com
Touchscreen
Onboard DSP
Mul-Channel Network Audio Interface
Motorized
Fader
Intelligent
Meters
Ashly digiMIX
iPad® Control
Mul-Channel Audio Interface
5-Year Warranty
18
-
Input DIgItal MIxer
DIGIMIX18
The digiMIX18 is a digital mixing soluon that maintains
all key features of the digiMIX24 in a more compact,
rack-mountable model. The digiMIX18 gives you 18
inputs and 12 output buses (18x12) and maintains the
same powerful real-me live control that give users
instant access to all major funcons. You have the ex-
ibility to accommodate instruments, voices and signals
from various sources. Also equipped with Class-A mic
pre's designed exclusively by Ashly, so you know great
sound is always a standard feature!
With its tradional analog feel, the Live Control Surface
allows opmum control with real knobs and a live fader
when selecng important funcons, while oering con-
veniences of a responsive touchscreen, USB interfacing,
and companion Apple iPad® App. Together, it's the ideal
mixing experience.
Modular expandability via oponal Dante® and USB
cards which provide 18 digital inputs and up to 30 digital
outputs. Selectable Digital Audio Channel-Insert points
allow you to record, process in nave mode, and/or
playback from your favorite DAW using our USB-3018
opon card. Useful for capturing or enhancing your live
performance.
Features:
• Precision Alps® motorized 100mm fader
• Responsive, 7" color LCD touchscreen for graphical
viewing, assign, and setup
• FREE iPad® App for wireless remote control
• EZ-Mode for secure, simplied touchscreen or
iPad® control with EZ-Mode mixer
• Ships as desktop console, rack rails included
• 16 low noise microphone preamps with dedicated
trim controls, +48V phantom power, phase invert
• Gain-sharing automixer
• Assignable cross fader
• Stereo AUX sends for stereo monitors
• 2 dedicated line-level inputs
• TRS inserts on channels 1-8
• 8 AUX sends, 6 DCA for fader or mute groups
• 2 internal stereo FX with fully editable reverbs,
delay with tap tempo, tremolo, ange, and chorus
• Pan control
• High resoluon delay (0.2mS) on every input, AUX,
or FX
• Expander/noise gate on every input and FX channel
• Comp/limiter on every input, output, and FX channel
• 4-band parametric/shelving EQ lters plus HPF/LPF
on every input, output, and FX channel
• 31-band Graphic EQ on main and AUX outputs
• Stereo link for adjacent inputs and AUX outputs
• Solo/PFL on every input, output, AUX, or FX
• Stereo main outputs on XLR and phone jack with
dedicated level control
• Headphone and control room outputs with dedicated
level controls
• User presets for Scene, DSP channel, FX or GEQ
sengs, plus channel copy funcon
• 24-bit A/D and D/A converters, 32-bit DSP processing,
48kHz sampling rate
• Password security
• Soware control using Windows®, Mac®, or iPad®
• Internal 100-240VAC universal power supply
• Dante® Network Audio Interface (oponal)
• USB Mul-track Audio Interface (oponal)
• Safety/compliance: cTUVus, FCC, RoHS
Ashly Audio, Inc. | 847 Holt Road | Webster, NY 14580-9103 USA | US toll free: +1-800-828-6308 | tel: +1-585-872-0010 | fax: +1-585-872-0739 | | | Ashly is a division of Jam Industries, Ltd. sales@ashly.com www.ashly.com
DS-0118
Environmental
Temperature Range
Operang, free-air 41°F 113°F (5°C 45°C) – –
Storage -4°F – 140°F (-20°C – 60°C)
Power Requirements
AC Mains 100-240VAC 50/60Hz, 120W MAX
Soware, Firmware and Drivers
iPad® Control
Ashly digiMIX app for Apple iPad®, FREE from
iTunes® App store
Firmware Update
digiMIX18 Firmware Ulity for Windows®
and Mac® (download from Ashly.com)
Preset Backup and
Restore
digiMIX18 Preset Ulity for Windows®
and Mac® (download from Ashly.com)
USB COM
Device driver
May be required when using digiMIX18 ulies
via USB connecon. (Separate Windows and Mac
versions available on Ashly.com.)
USB ASIO
Device Driver
Required for USB-3018 opon when using
Windows® audio program (download from
Ashly.com, not required for Mac)
Digital IN/OUT
Digital In, Channels 1-18
Pre-DSP On/O, level control +10dB to -70dB, O
Digital Out, Channel 1-16
Selectable as group
pre/post DSP
On/O, level control +10dB to -70dB, O
Digital Out, Channel 17-18, Main, AUX 1-8, Solo
Post-DSP On/O, level control +10dB to -70dB, O
Mixer Features
Automixer
(speech only)
Gain-sharing type, individual assignment of
channels 1-16
Crossfade mode
(system screen)
Use pan control to fade between any two
assigned inputs, outputs, or FX
Stereo Link
Inputs 1-16, aux outputs 1-8, paired only as 1-2,
3-4, 5-6 etc.
DCA groups 6 groups, level, mute, solo
Password Security
Mixer lock, unlock, 4-character password, case
sensive
Preset Types Scene (24), DSP channel (48), FX (104), GEQ (48)
EZ-Mode Simplied individual fader adjust, ON/OFF, Icon assign
EZ Mixer #1 Main, DCA 1-4, AUX 1-4, password lock
EZ Mixer #2
Main, DCA 1-6, AUX 1-8, Ch 17-18, password
lock
Weights and Dimensions
digiMIX18 Console
Unit Dimensions 19.3"L x 5.65"W x 14.0"H (486 x 144 x 356 mm)
Shipping Dimensions 22.0"L x 8.15"W x 17.1"H (559 x 207 x 434 mm)
Unit Weight 17.0 lbs (7.7kg)
Shipping Weight 21.0 lbs (9.5kg)
Dante-3018 Opon Card
Shipping Dimensions 6.02" L x 1.85" W x 7.09" H (153 x 47 x 180 mm)
Shipping Weight 0.42 lbs (0.19kg)
USB-3018 Opon Card
Shipping Dimensions 6.02" L x 1.85" W x 7.09" H (153 x 47 x 180 mm)
Shipping Weight 0.47 lbs (0.21kg)
Rear Panel Conguraon
Specicaons Notes: 0dBu = 0.775 VRMS
Microphone Input Class-A Discrete Balanced, 7.3k Ohm Input Impedance
Frequency Response
to Main Output
20Hz – 20kHz, +0.0/-0.5dB
Distoron (THD&N)
to Main Output
<0.01% at 0dBu, 20Hz – 20kHz
Equivalent Input Noise
-126dBu, unweighted, 20Hz – 20kHz,
150 Ohm source
Gain (Trim) 0 dB – +50dB
Maximum Input Level +20dBu, balanced
Phantom Power
+48VDC, 14mA per channel, assignable to
channels 1-16
Line Input Balanced, 75k Ohm Input Impedance
Frequency Response
to Main Output
20Hz – 20kHz at 0dBu, +0.0/-1.5dB
Distoron (THD&N)
to Main Output
<0.01% at 0dBu, 20Hz – 20kHz
Gain (Trim) -20dB – +30dB
Maximum Input Level +20dBu
TRS Insert (Ch 1-8 only) Unbalanced, Tip = Send, Ring = Return
Maximum Output Level +20dBu, 120 Ohm Source Impedance
Maximum Input Level +20dBu, 5.0k Ohm Input Impedance
Stereo Line Inputs (Ch 17–18) Balanced 27k Ohm Input Impedance
Frequency Response
to Main Output
20Hz – 20kHz, +0.0/-0.05dB
Distoron (THD&N)
to Main Output
<0.07% at 0dBu, 20Hz – 20kHz
Gain
-
∞ to +10dB
Input Level (Max) +20dBu
Maximum Output Levels (240 Ohm source impedance)
Main Outputs (Max) Balanced XLR and TRS phone jack, +20dBu
AUX 1–8 Outputs Pseudo-Balanced TRS phone jack, +20dBu
Control Room Outputs Balanced TRS phone jack, +20dBu
Residual Output Noise
-88dBu (one mic input assigned at 0dB)
-78dBu (all 16 mic inputs assigned at 0dB)
-78dBu (all 18 inputs assigned at 0dB)
Crosstalk
Adjacent Channels (1kHz) -82dB
Noise
-70dB (Bus Noise, Adjacent Channels
20Hz – 20kHz)
Channel DSP Funcons
Polarity Invert
(Inputs, main, AUX, FX)
Per channel, On/O
Delay Time
(Inputs, main, AUX, FX)
Per channel, 0-300ms in 0.2 ms increments
Noise Gate / Expander Inputs, FX
Threshold Range -84dB – 0dBFS
Aack me 0.5mS – 200mS
Release me 10mS – 1,000mS
Rao 1:1 to ∞
Compressor/Limiter Inputs, Main, AUX, FX
Threshold Range -50dB – 0dBFS
Aack me 10mS – 150mS
Release me 10mS – 1,000mS
Rao 1:1 to ∞
Gain 0dB – +24dB
Parametric EQ (PEQ) Inputs, Main, AUX, FX
Filter Type
(EQ1, EQ2, EQ3, EQ4)
Parametric, low shelf, high shelf
Parametric Filters 20.6Hz – 20kHz, Q 0.4 – 24, boost/cut ±24dB
Shelving Filters 20.6Hz – 20kHz, boost/cut ±24dB
HPF and LPF 20.6Hz – 20kHz, 20 lter type
HPF and LPF Filter Types
Bypass, Buerworth (BW) 6dB/oct,
Bessel (BS) 6dB/oct, BW 12dB/oct,
BS 12dB/oct, Linkowitz/Riley (LR) 12dB/oct,
BW 18dB/oct, BS 18dB/oct, BW 24dB/oct,
BS 24dB/oct, LR 24dB/oct, BW 30dB/oct,
BS 30dB/oct, BW 36dB/oct, BS 36dB/oct,
LR 36dB/oct, BW 42dB/oct, BS 42dB/oct,
BW 48dB/oct, BS 48dB/oct, LR 48dB/oct
Graphic EQ (GEQ) Main, AUX
Filter Type 31-band, Constant Q, boost/cut ±24dB
FX FX input Sends from Ch 1-18, FX output Assigns to main L/R, AUX 1-8
Eect Types
Reverbs (3), delay (1200ms), tremolo,
ange, chorus, combinaons (See manual)
DSP Processing
A-D converter dynamic
range
104dB, unweighted
Internal processor 32-bit oang point
D-A converter dynamic
range
105dB, unweighted
ADC/DAC bit depth and
sampling rate
24-bit / 48kHz
Latency 5.8mS, 1kHz, Analog input to analog output
Digital Audio Opon Cards
Sold Separately, Field Installable
Dante-3018 Mul-Channel Network Audio Interface (24 bit / 48 kHz)
USB-3018 Mul-Channel Audio Interface (24 bit / 48 kHz)
©2018 All features, specifications and graphical representations are subject to change or improvement without notice and may not represent the final product.
Produktspezifikationen
| Marke: | Ashly |
| Kategorie: | Nicht kategorisiert |
| Modell: | DigiMIX 18 |
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