EarthQuaker Devices Disaster Transport SR Bedienungsanleitung

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Hey buddy, welcome to your brand new advanced modulated delay and reverb machine! The

Disaster Transport SR

™was designed to create an intense wash of lo- swirling tape styled echo.

While it may look intimidating at rst glance, it’s actually pretty easy to navigate. The top row of

controls are for delay A and the bottom row of controls are for delay B. Delay A is a 600ms delay

with modulation and delay B is a 300ms delay with reverb. Both delays can be run separately,

in parallel, in series or in series/parallel. To take it one step further, there are also expression

controls for the repeats on delay A as well as bleeding delay A into delay B. The switching was

designed so each delay can be used individually or in tandem with both true bypass or trails.

In addition to being used as a straight delay, straight reverb, rhythmic delay, modulated delay

and old school tape-style echo, the Disaster Transport SR can also be used to create a wide

variety of wild sounds ranging from warped records, clanging ange, smooth chorus, echoed out

squalls and various other-worldly effects that will blow your mind, man.

If you are a fan of old school tape delay and crazy lo- sounds, you will get hours of enjoyment

every time you plug into the Disaster Transport SR. If not, you may have just made a huge

mistake. Hand made one at a time in sunny Akron, Ohio USA.

Expression Pedal Control

We recommend the Moog EP-2 expression pedal for use with the Disaster Transport SR.

Control Center

The controls for delay A and B are separated by row. The top row is for delay A and the bottom

row is for delay B.

Delay A Controls

Time: Controls the delay time from about 30ms up to 600ms.

Repeats:Controls how many regenerations of the signal there are. This ranges from one

single repeat through an endless wash into self oscillation. This can also be controlled via an

expression pedal. The Moog EP-2 is recommended.

Mix:Level control for the wet signal. Unity is around center, anything above is boosted. Boosting

this works great when using a distorted signal. Please keep in mind this is a gain control, a bit of

hiss is normal when it’s above unity.

Depth:Controls the intensity of the modulation, from no modulation to all out seasick pitch bends.

Rate:Controls the rate of the modulation. The LED for delay A ashes in time with the modulation

to visually show where the rate is set.

Bleed:This feeds delay A into delay B, post reverb (see block diagram for visual explanation).

Use this control for series or series/parallel operation to create rhythmic repeats, extra long

delay time or an all out echo wash. This can also be controlled via an expression pedal. The

Moog EP-2 is recommended. When using the bleed, experiment with the repeat controls on

each delay line. Try using them in different settings, both together and individually, for different

timing and textures.

Delay B Controls

Reverb: Controls the amount of reverb added to the input of delay B.

Mix:Level control for the wet signal. Unity is around center, anything above is boosted. Boosting

this works great when using a distorted signal. Please keep in mind this is a gain control, a bit of

hiss is normal when it’s above unity.

Repeats: Controls how many regenerations of the signal there are. This ranges from one single

repeat through an endless wash into self oscillation.

Time: Controls the delay time from about 30ms up to 300ms.

OPERATION MANUAL

Produktspezifikationen