MeldaProduction MTurboEQ Bedienungsanleitung

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MTurboEQ

Overview

MTurboEQ is an equalizer inspired by many of the good analog EQs of the past, made to be easy and quick to use, sound great, but not

necessarily emulate the originals. It doesn't produce any unnecessary noise or distort the signal (unless is used). MTurboEQ isSaturation

designed in such a way that all the equalizers that it provides "feel" the same. They always have pretty much the same features, even when

the original EQs didn't come close to such versatility. We cloned what we decided to be advantageous, but discarded everything else. Each

equalizer has a different filter design, which essentially defines which frequencies are affected and how. That's after all the magic of these

analog devices. Simply choose the one that sounds best to you. And, of course, you can use the A-H presets for comparison.

Globals

First, there's always a section, which is the same for all EQs. It provides the basic processing one often needs. Globals

Input gain lets you adjust the input level to your needs. Note that when saturation is used, the gain affects the amount of

saturation/distortion.

Saturation lets you bring some character, or analog feel, to the signal. It generally simulates the nonlinear characteristics of most analog

devices and produces higher harmonics. Be careful not to overuse this feature.

High-passLow-pass and filters are essential for mixing. For most tracks, which don't contain bass frequencies, it is advantageous to

remove the low-end using a high-pass filter. This clears the area of unnecessary rumble, noise and other artifacts, and clears the space for

the instruments, which actually need it - bass and bass drum usually. It is often useful for these instruments too however, to remove DC for

example. The low-pass filter is less widely used, but it can still be advantageous for tracks, which don't require the high frequencies, hence it

lets you clear additional space in the mix.

Dry/Wetprovides an easy way to adjust the amount of equalization. Please note that since this is a minimum phase equalizer, it's not a

true dry/wet as that would cause problems with phase cancellation. Instead it emulates how the dry/wet would work, if it were actually

possible. It does not affect the input HP/LP section though.

Filters

Low-shelf and high-shelf filters are most likely the most essential filters. Low-shelf lets you control the bass frequencies and high-shelf

targets the high frequencies and lets you get some sparkle. Be careful not to overuse them, since positive gain almost always sounds

"better", but that's due to the psychoacoustical hi-fi effect. It is common to perform some slight high end boost though, to make the output

brighter as that usually sounds more professional and microphones tend to lower the level of high frequencies.

Peak filters are used to control a specific part of the spectrum and are often combined with shelves, which will most likely be the first to be

used. For example, it's common to equalize a bass drum by amplifying the bass spectrum with a low-shelf and then remove some of the

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