Shure SM57 Bedienungsanleitung

Shure Mikrofon SM57

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MODEL SM57

UNIDIRECTIONAL DYNAMIC MICROPHONE

The Shure SM57 unidirectional dynamic microphone is excep-

tional for musical instrument pickup or for vocals. With its bright,

clean sound and carefully contoured presence rise, the SM57 is

ideal for live sound reinforcement and recording. It has an ex-

tremely effective cardioid pickup pattern which isolates the main

sound source while minimizing background noise. In the studio,

it is excellent for recording drums, guitar, and woodwinds. For

musical instruments or vocals, the SM57 is a consistent choice

of professional performers.

Features

•Frequency response tailored for drums, guitars, and vocals

•Uniform cardioid pickup pattern isolates the main sound

source while reducing background noise

•Pneumatic shock-mount system cuts down handling noise

•Extremely durable under the heaviest use

•Supplied break-resistant swivel adapter that rotates 180 °

•Legendary Shure quality, ruggedness, and reliability

STAGE MONITOR & P.A. LOUDSPEAKER PLACEMENT

Place the stage monitor directly behind the microphone

(see Figure 1). Locate the P.A. loudspeakers so that they

point away from the rear of the microphone. With the speak-

ers located in these positions, the possibility of feedback is

greatly reduced. Always check the stage setup before a per-

formance to ensure optimum placement.

180°

90°

0°

90°

STAGE

MONITOR

P.A.

LOUDSPEAKERS

MICROPHONE

SOUND

SOURCE

RECOMMENDED LOUDSPEAKER PLACEMENT

FIGURE 1

APPLICATION AND PLACEMENT

Some of the most common applications and placement tech-

niques for the SM57 are listed in the following table. Remember

that microphone technique is largely a matter of personal taste—

there is no single “correct” microphone position.

APPLICATION SUGGESTED MICROPHONE

PLACEMENT

TONE QUALITY

Tom-Toms One SM57 on each tom, or

between each pair of toms, 25

mm (1 in.) to 75 mm (3 in.)

above the heads. Aim each

mic at the top heads.

Medium attack,

balanced sound.

On double head toms, remove

the bottom head and place a

mic inside aimed at the head.

Medium attack,

balanced sound.

Snare Drum 25 mm (1 in.) to 75 mm (3 in.)

above the rim of the top head

of the drum. Aim the mic at

the head.

Most “snap”

from drumstick

impact

If desired, place a second mic

just below the rim of the bot-

tom head.

More “snare”

sound.

Guitar & Bass

Ampliﬁers

25 mm (1 in.) from the speak-

er, on-axis with the speaker

cone.

Most attack,

emphasized

bass

150 mm (6 in.) to 300 mm (12

in.) away from speaker and

on-axis with speaker cone.

Medium attack,

full, balanced

sound

.5 m (18 in.) to 1 m (3 ft) back

from the speaker, on-axis with

the speaker cone.

Softer attack,

thin, reduced

bass sound.

On-axis with the edge of the

speaker cone. Thinner, re-

duced bass

sound.

Brass &

Woodwinds

Brass: .3 m (1 ft) to 1 m (3 ft)

away, on-axis with bell of in-

strument.

Bright, clear

sound.

Woodwinds: 25 mm (1 in.) to

150 mm (6 in.) away, on-axis

with bell of instrument.

Bright, clear

sound.

Bell of the instrument 90° off-

axis from the front of the mic. Softer, mellow

sound.

Vocals &

Speech

25 mm (1 in.) to 150 mm (6

in.) from the vocalist’s mouth. Rich, warm

sound.

PROXIMITY EFFECT

When the sound source is less than 6 mm (

1/4 in.) from the

microphone, the microphone boosts bass frequencies (by 6 to

10 dB at 100 Hz), creating a warmer and richer bass sound

than when farther away. This effect, known as proximity effect,

happens in unidirectional microphones like the SM57. The

SM57 low-frequency roll-off provides greater control, allowing

the user to take full advantage of proximity effect.

Model SM57 User Guide

27B2903 (BI)

2002, Shure Incorporated Printed in U.S.A.

Produktspezifikationen

Marke:	Shure
Kategorie:	Mikrofon
Modell:	SM57
Produktfarbe:	Schwarz
Typ:	Bühnen-/Auftrittsmikrofon
Mikrofon-Frequenz:	40 - 15000 Hz
Ausrichtung des integrierten Mikrofons:	Kardioide