Rane MP 2016 Bedienungsanleitung
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Manual-1
MP 2016
ROTARY DJ MIXER
OPERATORS MANUAL
QUICK START
The MP 2016 is not a UREI! The MP 2016 has many features absent in the UREI. To fully realize all of the benefits
provided by these additional features, please read the entire manual. For those of you who should read the manual, but
won’t, here’s the short version.
There are four dedicated phono preamplifiers. One each for Input Channels 1-4. Switches on the rear panel set each
preamplifier for LINE or PHONO operation. Make sure you have these switches set correctly for your application.
There are two dedicated MIC preamplifiers, one each for Input Channels 5-6. Rear panel switches set each preampli-
fier for LINE or MIC operation. Make sure you have these switches set correctly. MIC GAIN controls adjust each
preamplifier for the correct sensitivity. With a MIC selected and ENGAGED, set the INPUT GAIN control to “10” and
adjust MIC GAIN to just keep the Input Channel SIG/OL indicator green, not red. Set the tone controls as desired. The
MIC ENGAGE switch ducks the BOOTH Output by 12 dB unless defeated with internal jumpers.
All five stereo AUX Inputs are available for each of the six Input Channels.
Adjust INPUT GAIN controls so they blink the green SIG/OL indicator. If an indicator stays red, the INPUT GAIN
control is set too high. This provides optimum signal to noise, dynamic range and MIX LEVEL control consistency.
The BOOTH may select CUE or MASTER as its source. CUE allows monitoring Inputs in the booth without head-
phones.
The XP 2016 switch engages the optional XP 2016 processor. If the XP 2016 is not connected, the switch has no
effect. See page Manual-7 for XP 2016 features.
The EFFECTS LOOP switch switches the Loop in (up) or out (down). If nothing is connected to the EFFECTS
LOOP RETURN, the switch has no effect.
The MASTER MONO/STEREO switch influences both BOOTH and HOUSE OUTPUTS. It does not affect the
EFFECTS LOOP or TAPE OUTPUTS.
Two TAPE OUTPUTS are provided. One is PRE-EFFECTS Loop and one is POST-EFFECTS Loop. The POST-
EFFECTS Loop Tape Output has a LEVEL control and may be used as a pre-tone control AUX Output.
The MP 2016 uses high performance tone control circuits that isolate the signal into three bands. The level of each
band is independently controlled, and then recombined. This topology provides full “kill” for TREBLE, MID and BASS.
The MASTER SIG/OL indicator monitors the master mix before and after the tone controls. This indicator should
light green most of the time. It is OK for it to flash red on occasion. This provides optimum signal-to-noise and dynamic
range. HOUSE and BOOTH level controls do not affect the MASTER SIG/OL indicator.
The HOUSE OUTPUT has both BALANCED and UNBALANCED Outputs. Always use the BALANCED Outputs
for longer cable runs (typically greater than 10 feet, or 3 meters).
Headphone cueing allows monitoring MASTER or CUE SOURCE. If MIX LEVEL controls are operated at less than
“7”, be sure to turn the PHONES LEVEL down before selecting CUE SOURCE as it may be much louder than the
Master Mix. The Headphone Output is low-impedance high-current, so do not short the tip and ring together or to ground.
Never connect anything except an approved Rane power supply to the red thing that looks like a telephone jack on the
rear of the unit. This is an AC input and requires special attention if you do not have a power supply exactly like the one
originally packed with your unit. See the full explanation of the power supply requirements elsewhere in this manual.
WEAR PART
The MP 2016 contains no wear parts. The XP 2016 contains the following wear part subject to the ninety (90) day warranty
period described on page Service-1: (1) Active Crossover Assembly F 60.
Manual-2
MP 2016 FRONT PANEL CONTROLS
INPUT SELECTORS 1-4
Each six-position Input Selector chooses a dedicated
PHONO/LINE preamplifier, or one of five stereo AUX
Inputs as its Input Channel source. (PHONO/LINE switches
are located on the rear panel).
INPUT SELECTORS 5-6
Each six-position Input Selector chooses a dedicated
mono MIC Input, or one of five stereo AUX Inputs as its
Input Channel source. (MIC GAIN trim, MIC/LINE switch
and MIC tone controls are located on the rear panel).
MIC ENGAGE
MIC 1 and MIC 2 ENGAGE switches allow switching a
mic on (up) or off (down). MIC Input must be selected and
MIC ENGAGE on to activate a MIC Input. When a mic is not
in use, be sure to switch MIC ENGAGE off. The MIC
ENGAGE switches also activate the Booth Ducker. This
attenuates the Booth Output -12 dB whenever a MIC EN-
GAGE switch is on, even if MIC Input is not selected
(internal jumpers allow disabling the Booth Ducker—see
Mic/Line Inputs on page Manual-6).
INPUT GAIN
INPUT GAIN controls allow the user to match input
levels. Adjust these controls to make the SIG/OL indicator
flash green. If the indicators turn red, reduce the INPUT
GAIN. Adjusting the INPUT LEVEL controls correctly
maximizes dynamic range and provides consistent MIX
LEVEL response.
Input
SIG/OL
These dual color indicators provide help in setting correct
input levels. A flashing green indication is optimal. The red
indicator should remain off during normal operation.
MIX LEVEL
These studio-grade controls determine the Master MIX
LEVEL. For optimum performance, set the INPUT GAIN
controls as indicated above, and then operate MIX LEVELS
between “7” and “10” for full mix. Use the HOUSE and
BOOTH LEVEL controls to set the output levels. Always set
the MIX LEVEL controls to minimum when not in use.
Produktspezifikationen
| Marke: | Rane |
| Kategorie: | Mischer |
| Modell: | MP 2016 |
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