Roland MC-101 Bedienungsanleitung


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Seite 1/21
11
Functions Added in Ver.1.80
Undo/Redo Function Added
This function lets you revert a phrase to how it was just before it was
edited.
* The messages Can’t UNDO” or “Can’t REDO” are shown when undo/
redo can’t be performed.
Undoing the previous operation
(UNDO)
1.
Press the [EXIT] and MEASURE [<] buttons at the same time.
“UNDO” is shown in the display, and the sequencer returns to the
previous state.
For a step recording, this undoes the step that you just inputted or
erased.
For a real-time recording, this undoes the recorded step and motion
state.
* When you switch between tracks or clips, the undo content is erased.
* You can’t undo or redo while recording in real time.
* You can undo up to 10 times.
Reverting an Undo Operation
(REDO)
1.
Press the [EXIT] and MEASURE [>] buttons at the same time.
“REDO” is shown in the display, and the data reverts to how it was
before you did the undo operation.
Tone Partial Editor Function Added
A simple partial editing function for tones has been added.
1.
Hold down the [SHIFT] button and press the [SOUND]
button.
2.
Select PARTIAL to display the EDIT screen.
* While holding down the [SHIFT] button, press the [SOUND], [FILTER],
[MOD] or [FX] button to turn the partial on/o that you want to edit.
3.
Use the [C1][C4] knobs to edit the values.
* You can edit the parameters by holding down the [SOUND], [FILTER],
[MOD] and [FX] buttons and turning the [VALUE] knob.
COM
(COMMON)
Here you can make settings related to voicing.
Parameter Value Explanation
OCT
(OCTAVE)
-3–+3
Species the pitch of the tone in octave
units (maximum of ±3 octaves).
M/P
(MONO/POLY)
MONO, POLY
Species whether the tone plays
polyphonically (POLY) or monophonically
(MONO).
MONO: Only the note of the last-played key
is played, one note at a time.
POLY: Multiple notes can be played
simultaneously.
PRT
(PORTAMENTO SW)
OFF, ON
Species whether the portamento (*1)
eect is applied (ON) or not applied (OFF).
TIM
(PORTAMENTO TIME)
0–1023
Species the time over which the pitch
changes when using portamento. Higher
settings will cause the pitch change to the
next note to take more time.
ANL
(ANALOG FEEL)
0–127
Applies time-varying change to the pitch
and volume of the tone that is producing
sound, adding a sense of variability. As you
increase this value toward the maximum,
the variability becomes greater, producing
instability.
Parameter Value Explanation
CRS
(COARSE TUNE)
-48–+48sem
Adjusts the pitch of the tones sound up or
down in semitone steps (+/-4 octaves).
*1 Portamento is an eect which smoothly changes the pitch
from the rst-played key to the next-played key. By applying
portamento when the MONO/POLY parameter is “MONO”, you
can simulate slide performance techniques on a violin or similar
instrument.
OSC 1–4
Here you can make settings for the oscillators of each partial.
Parameter Value Explanation
OSC
(OSC TYPE)
PCM, VA, PCM-
Sync, SuperSAW,
Noise
Species the oscillator type.
PCM: Sound is produced by PCM. This
sounds the wave specied by WAVE GROUP
TYPE, WAVE BANK, and WAVE NUMBER.
VA: Sound is produced by an
analogmodeled wave generated by
calculation. This sounds the wave of the
number specied by WAVE FORM.
PCM-Sync: Sound is produced by the wave
specied by the SYNC WAV.
SuperSAW: Sound is produced by
SuperSAW.
Noise: White noise is produced.
GRP
(WAVE GROUP TYPE)
INT, SAMP
INT: When OSC TYPE is PCM, the internal
waveforms of the MC-101 are used.
SAMP: When OSC TYPE is PCM, the
waveforms loaded into the project are used.
BNK
(WAVE BANK)
A, B, C
When OSC TYPE is “PCM” and the WAVE
GROUP TYPE is “INT, this sets the banks (A–
C) to sound.
WAV
(PCM: WAVE NUMBER)
When OSC TYPE is “PCM”, this species the waveform number
in the group specied by WAVE GROUP TYPE and in the bank
specied by WAVE BANK.
Species the sample number when WAVE GROUP TYPE is SAMP.
WAV
(VA: WAVE FORM)
SAW, SQR, TRI, SIN,
RAMP, JUNO, TRI2,
TRI3, SIN2
Species the wave that is sounded when
OSC TYPE is VA.
SAW: Sawtooth wave
SQR: Square wave
TRI: Triangle wave
SIN: Sine wave
RAMP: Ramp wave
JUNO: Modulated sawtooth wave
TRI2: Triangle wave variation
TRI3: Triangle wave variation
SIN2: Sine wave variation
PW
(PULSE WIDTH)
0–127
This is an eect obtained by varying the
pulse width duty cycle to modify the
waveform.
It is available when OSC TYPE is VA, and also
allows you to create eects with other than
SQR (square wave).
PWM
(PWM DEPTH)
-63–+63
Species the amount (depth) of LFO applied
to PULSE WIDTH.
LFO follows the settings of LFO2.
SW
(PARTIAL SWITCH)
OFF, ON Turns the partial on/o.
CRS
(COARSE TUNE)
-48–+48
Species the pitch in semitone units
(maximum ±4 octaves).
FIN
(FINE TUNE)
-50cen–+50cen
Species the pitch in one-cent units
(maximum ±50 cents).
LEV
(LEVEL)
0–127 Species the volume of the partial.
© 2020 Roland Corporation
09
MC-101 Update
MC-101 Update – Functions Added in Ver.1.80
22
OSC
(PCM-SYNC)
Parameter Value Explanation
WAV
(PCM-Sync: SYNC WAV)
Species the wave that is used when OSC TYPE is PCM-Sync.
OSC
(SuperSAW)
Parameter Value Explanation
DET
(SuperSAW: DETUNE)
0–127
Species the width of pitch variance
between the seven sawtooth waves that are
layered within one oscillator.
Higher values produce greater pitch
variance. (When doing this, OSC Detune
changes the pitch for each of the seven
sawtooth waves by the same width.)
OSC MOD 1-2/3-4
(Structure)
Structure lets you play two partials as a pair.
By using partial 1 or 3 (the carrier) to modulate the other partial 2 or
4 (the modulator), you can create a wide range of tonal characters.
Parameter Value Explanation
STR
(STRUCTURE)
Partial 2 or 4 is used to modulate the sound of partial 1 or 3.
OFF O
SYNC
This implements the oscillator sync function
that is provided by analog synthesizers.
The oscillator of partial 1 or 3 is reset at
pitch cycles of partial 2 or 4.
* This is only enabled when the OSC TYPE of
OSC1 or OSC3 is “VA or “PCM-Sync”.
RING
This implements the ring modulator that is
provided by analog synthesizers.
The output of partial 2 or 4 is multiplied
with partial 1 or 3.
XMOD
XMOD2
This implements the cross modulation
function that is provided by analog
synthesizers.
The output of partial 2 or 4 is applied as the
pitch of partial 1 or 3.
LV1/3
(OSC1/3 LEVEL)
0–127 Adjusts the volume of OSC 1 or 3.
LV2/4
(OSC2/4 LEVEL)
0–127 Adjusts the volume of OSC 2 or 4.
RNG
(RING LEVEL)
0–127 Adjusts the volume of ring modulation.
MOD
(MOD DEPTH)
0–10800 [cent]
(XMOD)
0–127
(XMOD2)
Adjusts the depth of cross modulation.
FILTER
Here you can make lter settings.
Parameter Value Explanation
TYP
(TVF: FILTER TYPE)
OFF, LPF, BPF, HPF,
PKG, LPF2, LPF3
Selects the type of TVF lter when FILTER
TYPE is TVF.
OFF: O
LPF: Low pass lter
BPF: Band pass lter
HPF: High pass lter
PKG: Peaking lter
LPF2: Low pass lter 2
LPF3: Low pass lter 3
TYP
(VCF: FILTER TYPE)
FLAT, TYPE-JP,
TYPE-M, TYPE-P
Selects the type of VCF lter when FILTER
TYPE is VCF.
Each of these simulates the operation of an
analog synthesizer’s LPF.
CUT
(CUTOFF) 0–1023
Selects the frequency at which the lter
begins to have an eect on the waveform’s
frequency components.
Parameter Value Explanation
RES
(RESONANCE) 0–1023
Boosts the region of the sound near the
cuto frequency, adding a distinctive
character to the sound.
ENV
(ENV DEPTH) -63–+63 Species the depth of the lter envelope.
TVF/VCF
(FILTER TYPE)
TVF, VCF
Select either TVF or VCF as the lter type.
* TVF stands for Time Variant Filter, and is a lter
that allows detailed settings to be made for the
time-varying change in the sounds frequency
components.
If VCF is selected, the simultaneous
polyphony will be less than when TVF is
selected.
KF
(KEY FOLLOW)
-200–+200
Set this if you want the cuto frequency to
change according to the keyboard position
of the note you play.
SLP
(FILTER SLOPE)
-12, -18, -24 [dB/
Oct]
This button selects the slope (steepness) of
the lter.
For VCF, you can choose -12, -18, or -24.
For TVF, you can choose only -12 or -24.
If the lter TYPE is TVF, the following
limitations apply.
Only -12 dB or -24 dB can be specied.
Even if you specify -18 dB, the sound engine
operates internally with the -12 dB setting.
If you specify -24 dB, the simultaneous
polyphony will be less than when -12 dB is
selected.
HPF
(HPF CUTOFF)
0–1023
Species the cuto frequency of the -6 dB
high-pass lter.
* This parameter is eective when FILTER TYPE is
VC F.
ENV FILTER
Here you can make lter envelope settings.
Parameter Value Explanation
T1A
(T1 ATTACK)
0–1023
Species the time over which the initial
value changes to the maximum value after
the key is pressed.
T3D
(T3 DECAY)
0–1023
Species the time over which the SUSTAIN
value is reached following the ATTACK.
L3S
(L3 SUSTAIN)
0–1023
Species the sustain value of the lter
envelope.
T4R
(T4 RELEASE)
0–1023
Species the time over which the minimum
value is reached after the key is released.
ENV AMP
Here you can make amp envelope settings.
Parameter Value Explanation
T1A
(T1 ATTACK)
0–1023
Species the time over which the initial
value changes to the maximum value after
the key is pressed.
T3D
(T3 DECAY)
0–1023
Species the time over which the SUSTAIN
value is reached following the ATTACK.
L3S
(L3 SUSTAIN)
0–1023
Species the sustain value of the amp
envelope.
T4R
(T4 RELEASE)
0–1023
Species the time over which the minimum
value is reached after the key is released.
ENV PITCH
Here you can make pitch envelope settings.
Parameter Value Explanation
DEP
(DEPTH)
-100–+100
Species the depth of the pitch envelope.
Higher values make the pitch envelope
produce greater change. Negative “-” values
invert the shape of the envelope.
If the OSC TYPE is other than VA, this is
limited to ±63.


Produktspezifikationen

Marke: Roland
Kategorie: Nicht kategorisiert
Modell: MC-101
Display-Typ: LCD
USB Anschluss: Ja
Breite: 224 mm
Tiefe: 132 mm
Gewicht: 716 g
Produktfarbe: Schwarz
Höhe: 61 mm
Equalizer: Ja
Eingebautes Display: Ja
Schnellstartübersicht: Ja
Display-Hintergrundbeleuchtung: Ja
Stromstärke: 0.5 A
USB-Stecker: USB Typ-B
Netzteiltyp: DC/Batterie
Anzahl der USB-Anschlüsse: 1
Kompatible Speicherkarten: SD, SDHC
Integriertes optisches Laufwerk: Nein
Integrierter Kartenleser: Ja
Apple-Docking: Nein
MIDI-Out: Ja
MIDI-In: Ja

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