4ms Tapographic Delay Bedienungsanleitung

4ms Nicht kategorisiert Tapographic Delay

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Tapographic Delay
from 4ms Company and Matthias Puech
         
User Manual 1.0 – November 3, 2017           
for firmware v1.0   
Table of Contents
   
Introduction 3
Background 4
     What’s a multi-tap delay? 4
   What’s a tapography? 6
Installation 6
       Getting started: Your first TD patch 7
Create a new Tapography 7     
Editing your Tapography 8   
Saving your Work 8   
Explore the Knobs 8   
Explore the Switches 8   
Explore the Buttons 9   
Sequencer Mode 9 
Controls 9
Signal path 12

Editing tapographies 13

Entering Taps 13 
ADD/OFF/INS Switch 13 
RES/AMP/LPF Switch 14 
Upper Button Row 14   
Settings Menu 14

Navigating tapographies 16

Loading a tapography 16   
Saving a tapography 16   
 Sequencer mode 17
Advanced features 17

Velocity normalization jumper 17   
 Firmware update 18
Calibration 19
 Factory tapographies 19
Banks A - D 19     
         Reset a bank to factory default 21
Acknowledgments 21
Page
2
Introduction
The Tapographic Delay is a complex multi-tap delay in the Eurorack format with a unique                            
interface designed for live performance. It excels at transforming the simplest audio (a                       
drone, a percussive sound) into complex rhythmic structures, meshes of organic textures,                     
lush harmonic mille-feuilles, liquid and resonant effects… plus everything we have not                     
explored yet! 
Have you ever got tired of the monotonous repetitions that your standard delay                       
pedal/module produced? Have you ever wished for a more complex rhythmic structure than                       
just decaying repetition? If yes, you have come to the right place: the Tapographic Delay is                             
an advanced effect that lets you handle repetition in ax completely novel way. It is in a way                                 
to a traditional delay what a full rhythmic sequencer (with pattern recall, velocity control,                         
tactile input) is to a simple clock. With the TD, you interactively define the rhythm that the                               
repetitions will follow: a velocity-sensitive sensor allows you to record, edit, modify, and                       
sequence your own arrangements of delays. In a sense, the TD is the converse of the                             
classic Frippertronics sound-on-sound setup popularized by Robert Fripp in the 70’s: you                     
don't play the guitar, you play the tape loop!               
The Tapographic Delay is an expressive experimental instrument meant to be played in                       
real-time, rather than a set-and-forget end-of-chain effect. Interact with it! Experiment! Push                     
it to its limits!     
●Velocity-sensitive force sensor to tap the delay configurations (                tapographies
)
●Up to 32 taps, each with its own delay time, amplitude/filter and panning                       
●Low-pass filter or resonant (pingable) band-pass filter on each tap                 
●Morphing between delay configurations, with adjustable morph time             
●Two different feedback paths: a Repeat toggle and a Feedback knob                   
●Save and recall up to 24 delay configurations (4 banks of 6 slots each)                         
●Tapography sequencer with forward, random walk or random directions               
●Synchronization to an external clock, with clock divider/multiplier             
●Gate output that plays the current rhythm of delays               
●Maximum delay time of 174 seconds (almost 3 minutes)               
●16 bits/48kHz with 32 bits floating-point internal processing, 1.3ms software latency                   
●Mono-in, stereo-out operation   
●18HP Eurorack module   
●Current consumption: 125mA of +12V; 32mA of -12V. (10-to-16pin cable included)                   
●0.98" (25mm) maximum depth with power cable           
●Dry frequency response: 20Hz - 5kHz: +/-0.1dB. @10kHz: -2.3dB. @20kHz: -7.8dB                   
●Audio inputs max 22Vpp. Audio outputs soft-limit at max 17Vpp                 
●Trigger/clock inputs: +2V minimum, +12V maximum         
●Gate (trigger) output: +8V, 4ms pulse width           
Page
3

Produktspezifikationen

Marke: 4ms
Kategorie: Nicht kategorisiert
Modell: Tapographic Delay

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