Rane TTM 54 Bedienungsanleitung
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TTM 54
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Manual-1
TTM 54
PERFORMANCE
MIXER
OPERATORS MANUAL
Quick Start
Congratulations! You are now the proud owner of the
best Performance Mixer available. For experienced
turntablists, ninety percent of the operation of the
TTM 54 Performance Mixer is obvious —
however, the TTM 54 also has many unique
features. These new features will be mas-
tered more quickly if you read the entire
manual. Right! We know some of you can’t
resist jumping right in, so please read at least
this portion of the manual. It will help you get
a good start.
• GAIN TRIM: These controls are intended to set
the signal level before the Crossfader. Always set the
GAIN TRIM controls to indicate an average signal level
of +4 on the meter with the Program Faders set to maximum.
Never use the GAIN TRIM controls to set the output level. Always
use the MASTER LEVEL control to set the output level. This is a very
simple thing, yet makes a huge difference in the performance of your mixer.
• EFFECTS: The assignable effects loop allows insertion of a stereo effects processor into:
• Pre-Program Fader PGM 1 ....... Engage PGM 1 EFFECTS only.
• Pre-Program Fader PGM 2 ....... Engage PGM 2 EFFECTS only.
• Post-Crossfader MASTER ....... Engage both PGM 1 and PGM 2 EFFECTS switches.
• Read sections 햵 and 헆 for more information.
• PHONES: The headphone output of the TTM 54 is a high power output stage (unlike most you have used before). There
are some notable differences…
• The headphone output of the TTM 54 delivers very high volume into your headphones.
• To avoid pain, never put headphones on your head and then plug them in.
• Always start with the PHONES LEVEL turned down and then turn it up to the desired level.
• Because of the high current and low output impedance, never short one side to ground or short left and right
together as is possible with mono cup headphones. Note: Low power headphone stages typically use large
resistors on their outputs, which allow shorting, but prevent high power. The TTM 54 gives you high power but
does not allow shorting.
• MIC LEVEL: For best performance, keep this control at 0 when not in use.
• For instructions on rotating Phono/Line switches to the desired location, see page Manual-6.
• Do not spray cleaner or lubricant into the front of the Program Faders or Crossfader. The fluid will just run out the
bottom of the unit. Never use unapproved cleaner or lubricants such as skateboard wheel lube, as corrosive damage may
result, voiding the warranty. See page Manual-6 for cleaning and replacement instructions and cleaner recommendations.
• Never connect anything except an RS 1 or other approved Rane AC power supply to the thing that looks like a telephone
jack on the rear. This is an 18 VAC center-tapped power unit. Consult the Rane factory for replacement or substitution.
• WEAR PARTS: This product contains the following wear parts subject to the ninety (90) day warranty period described on
page Service-1: FT 45 Active Crossfader & Channel Fader Assembly(3); ST 1 Phono/Line Switch Assembly (2).
Manual-2
햲 햹 PGM 1 and PGM 2 input GAIN TRIM controls are used to adjust input level. With the Program Faders (see ) at
maximum, set controls to give a peak reading of +4 on the meter. Set the Master Level to minimum while adjusting). It is
always best to run the input level at +4 to +7. Use the MASTER LEVEL (see 헃) control to adjust the volume at the
MASTER OUT (see 헅).
햳 BASS and and TREBLE controls provide deep cut, Accelerated Slope™ EQ for PGM 1 PGM 2. This unique EQ design
makes it possible to eliminate “high end” or “bass beat” without changing the sound of the vocals. The graph shown in
Figure 1 indicates the response of the filters.
햴 BALANCE controls are used for LEFT/RIGHT balance of PGM 1 and PGM 2 or for LEFT/RIGHT Pan effect. Push the
control to the left and sound moves to the left channel. Push the control to the right and sound moves to the right channel.
햵 EFFECTS engage switches are provided for PGM 1 and PGM 2. These two switches determine the location of a single,
assignable, stereo EFFECTS LOOP.
‘ With PGM 1 and PGM 2 EFFECTS switches both out, the EFFECTS LOOP is not engaged.
‘ Push PGM 1 EFFECTS switch only, and the EFFECTS LOOP is inserted pre-Program Fader PGM 1.
‘ Push PGM 2 EFFECTS switch only, and the EFFECTS LOOP is inserted pre-Program Fader PGM 2.
‘ Push both PGM 1 and PGM 2 EFFECTS switches, and the EFFECTS LOOP is inserted post-Crossfader Master.
Figure 1. Bass & Treble Controls
Front and Rear Panel Descriptions
Manual-3
햶 CONTOUR switches provide three tapers for PGM 1 and
PGM 2 Program Faders. The numbers 6, 20 and 30
indicate the mid-point attenuation. Settings can provide
smooth fade or cut and scratch effects. Note from the graph
shown in Figure 2, that the 6 dB setting provides a quick on
contour for cut and scratch (0% travel is with Program Fader
up). When used with the HAMSTER reversal switch, the
Program Fader operates very similar to the Crossfader,
allowing the same hand motion for cut and scratch opera-
tion. The 20 dB setting provides a normal audio taper while
the 30 dB setting provides a more rapid fade out.
햷 HAMSTER switches are provided for PGM 1 and PGM 2
Program Faders. These switches reverse the operation of
the adjacent Program Fader. When engaged, signal is off
with the Program Fader up, and maximum with the Pro-
gram Fader .down
햸 PHONO / LINE source select switches are provided for PGM 1 PGM 2 and . These are “clickless” switches suitable for
“transform scratch” applications. The switches are field replaceable and may be rotated in 45° increments. See Figure 4 on
page Manual-6 for rotation and replacement instructions.
햹 Program Fader controls for PGM 1 and PGM 2 are ultra low noise, long-life, monorail devices. An ActiveFader™ design
completely isolates the control element from the audio, providing the highest reliability and performance. See page
Manual-6 for cleaning and replacement instructions.
햺 PGM 1 and PGM 2 Meters provide true L+R Dual Mono indication of Post-Program Fader signal levels. Ten segment
resolution is provided with a one second peak hold indication. With the Program Fader set to maximum, the input GAIN
TRIM should be set to indicate an average level of about +4.
햻 Crossfader control is implemented using Ranes’ proprietary ActiveFader™ design. As with the Program Faders, all
audio is isolated from the control element, greatly extending the life and performance of the control. See page Manual-6 for
cleaning and replacement instructions
햽 CROSSFADER CONTOUR control allows adjusting the “shape” of the Crossfader response from a gentle curve for
smooth, long running fades, to the steep pitch required for top performance cut and scratch effects shown in Figure 3.
햾 CROSSFADER HAMSTER control allows reversing the
operation of the Crossfader. With the combination of
ActiveFader™, CONTOUR control, and HAMSTER control,
the TTM 54 provides a level of flexibility and performance
previously unavailable.
Figure 3. Crossfader Contour control
Figure 2. Contour Switch
Produktspezifikationen
| Marke: | Rane |
| Kategorie: | Nicht kategorisiert |
| Modell: | TTM 54 |
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